Critics’ reviews

A Room with a View (1986)

10 reviews from 10 publications. Critics’ score 74: 7 positive, 1 mixed, 2 negative.

Back to our review of A Room with a View

74
Positive
7
Mixed
1
Negative
2
Film Comment
1 January 2016 · Farran Smith Nehme
90*

The critic praises Merchant-Ivory's adaptation as fresh, sophisticated, and passionate, celebrating its fidelity to Forster's text, witty dialogue, and the performances—especially Helena Bonham Carter as Lucy and Maggie Smith as Charlotte—while highlighting the film's blend of comedy, emotion, and visual beauty.

Read the full review →
Los Angeles Times
21 March 1986 · Sheila Benson
90*

The review calls the film an airy, delightful adaptation that is virtually irresistible, praising the direction, cast, and production values while noting some quibbles with the lead actress.

Read the full review →
The New York Times
7 March 1986 · Vincent Canby
90*

The critic praises the film's faithful and ebullient adaptation of Forster's novel, highlighting its humor and the standout performance of Helena Bonham Carter as Lucy.

Read the full review →
Variety
31 December 1985 · Variety Staff
90*

It describes it as a thoroughly entertaining adaptation distinguished by superb ensemble acting, intelligent writing and stunning design.

Read the full review →
The Guardian
16 October 2010
85*

The critic hails the film as fresh and arresting, full of spring and spirit, with swooningly romantic and socially ferocious qualities that make it a standout Merchant Ivory adaptation. Particular praise goes to the vivid performances, especially Maggie Smith's comic turn as Charlotte and the memorable scenes involving Cecil and George.

Read the full review →
Radio Times
★★★★ · David Parkinson
80

This is the first Merchant Ivory adaptation of E.M. Forster and a vibrant, influential heritage film. The witty script, breathtaking images of Florence and Surrey, and masterclass performances from Helena Bonham Carter, Julian Sands, Daniel Day-Lewis and Maggie Smith make the Edwardian charm irresistible despite some longueurs.

Read the full review →
The New Yorker
17 March 1986 · Pauline Kael
75*

The critic finds the film enjoyably trivial and a piece of charming foolishness, the best-paced of Ivory's films, with lively dialogue and a thoroughly inhabited cast that creates a comic atmosphere. She singles out the strong ensemble performances, especially Maggie Smith and Daniel Day-Lewis, while noting the central performance lacks presence and the film is more precious and light than the source novel.

Read the full review →
Slant Magazine
30 September 2015 · Clayton Dillard
40*

The critic sees the film as a conservative, middlebrow literary adaptation that prioritizes decorative visuals and marketable period-piece appeal over substantive or progressive filmmaking. He praises the Criterion 4K Blu-ray transfer for its technical excellence in rendering the film's images and sound.

Read the full review →
Empire
1 January 2000 · Ian Nathan
30*

The most adorable of all the Merchant-Ivory productions, this Forster adaptation is a high-class British classic that injects refined poise with genuine sexual undercurrents and wit. Stunning cast and scenery cannot fill the hole where the heart of this film should be; a satire with an unnaturally soft centre.

Read the full review →
Eye for Film
7 June 2009 · Jennie Kermode
65*

The critic praises the excellent cast, splendid cinematography, and faithful yet witty adaptation of Forster's examination of manners, but notes that the elegant production makes the ending too conventionally romantic, diminishing Lucy's personal struggle for freedom and leaving the story feeling like fragments that do not fully gel.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate