All fifteen reviews are favourable, and most of them make the same case: that Raimi, known for camera acrobatics, here sets the tricks aside and directs a quiet, cold crime drama about three ordinary men and a fortune found in a crashed plane. Several call it his best or most mature film. The praise settles on the cast above everything. Billy Bob Thornton’s Jacob, the slow, wistful brother, is named in nearly every review, with Bill Paxton’s everyman lead close behind and Bridget Fonda mentioned less often.
The spread is narrow, running from solid approval to outright acclaim, with nothing below. Reservations are small. Eye for Film finds the story well written but predictable and misses the macabre streak of Raimi’s horror films. The comparison to Fargo runs through many of the reviews; The Times thinks the film unfairly overshadowed by it, and The AV Club argues it has a warmer heart than the Coens allow themselves.
