With only 5 reviews in so far, most critics respond warmly to Beautiful Thing’s working-class teenage romance, praising the raw-edged performances, humour and lively supporting characters. The young leads earn praise, with Linda Henry’s single mother also singled out. Reservations concern depth and cinematic shape rather than the film’s warmth. Slant Magazine finds the adolescent emotions honest and the supporting characters complex. RogerEbert.com sees the central pair as underdeveloped and finds more interest in those around them. Variety enjoys the comedy and fresh performances but finds it lacking in cinematic shape. The spread is favourable to mixed, with no outright rejection.
The critic praises the film's tender, rough-edged coming-out story and its unusually positive, non-miserabilist take on working-class queer youth in 1990s London. They single out the memorable use of Mamas & the Papas songs and the film's sense of place and hopeful ending as standout elements.
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