The reviews are warm and closely bunched, with most critics landing on a version of the same verdict: this sixth entry does what the series has always done, and does it with more care than usual. The praise clusters around the death scenes, described as intricate, gruesome and funny in roughly equal measure, and around the extended opening set-piece in 1968, which is singled out again and again as the high point. Many also note the tone, self-aware and gleefully daft, and the decision to spread the curse across a family tree, which several find a smart tweak to the formula. Tony Todd’s final appearance is mentioned in nearly every review with affection.
Reservations are mild and scattered: The Hollywood Reporter finds the family drama drags at times, Collider thinks the lead performance is stretched thin, and Radio Times is entertained but noticeably cooler than the rest. Nobody dislikes it.
