Critics’ reviews

Finding Nemo (2003)

19 reviews from 19 publications. Critics’ score 78: 17 positive, 2 mixed, 0 negative.

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78
Positive
17
Mixed
2
Negative
0
Los Angeles Times
30 May 2003 · Kenneth Turan
90*

Pixar solidifies its status as Hollywood's most reliable creative force with this engaging undersea story of a fish family learning life lessons. Turan singles out the rapturous visuals of the Great Barrier Reef and the eccentric, culturally skewering sea creatures like the sharks in recovery.

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RogerEbert.com
30 May 2003 · Roger Ebert
90*

The film delivers the usual Pixar pleasures of comedy and wackiness while adding striking visual beauty in its underwater world of color and movement. Ebert praises the inventive story, memorable voice performances, and how it appeals to both children and adults.

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Screen Daily
30 May 2003
90*

Maintains Pixar's exceptionally high standard with deliriously inventive storytelling and warm wit, setting a high artistic benchmark. Highlights its visually striking CGI underwater design while ensuring characterisation comes first, remaining endearing without cloying.

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The AV Club
27 May 2003 · Keith Phipps
90*

The review praises Pixar's high standard of storytelling that blends humor and emotional depth, noting the impressive visuals underwater while grounding the tale in familiar heartbreak and happiness. It highlights the opening scene's impact and the voice performances bringing heart to the characters.

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The Guardian
3 October 2003
90*

The critic praises the film as outstanding quality family entertainment from Pixar, with dazzling CGI, witty characters and superb direction. They single out the hyperreal underwater world and the voices, especially Albert Brooks and Ellen DeGeneres, while noting it feels slightly less ambitious than prior Pixar films.

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The Hollywood Reporter
27 May 2003 · Sheri Linden
90*

The review calls it an exhilarating fish story with a fluid narrative and visual nuance that feels less mechanical than prior Pixar films. It singles out the chemistry between Albert Brooks and Ellen DeGeneres along with the meticulous sound design and Thomas Newman score for praise.

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The Independent
30 May 2013
90*

The review calls the Pixar underwater tale a visual delight with exquisite animation and a crisp script, noting it remains a poignant examination of letting go of children even after multiple viewings.

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Evening Standard
· Neil Norman
85*

The critic calls it Pixar's finest work so far, a classic tale with genuine emotional depth, terrifically funny script and breathtaking animation. The characters, psychological insight and technical skill are singled out for praise.

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Empire
· Angie Errigo
80*

The critic finds the film beautifully composed and consistently charming, with a perfectly family-oriented mix of adventure, humour and life lessons. The animation, voice cast and underwater world are singled out for praise as terrific-looking and sweet.

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Sight and Sound
1 November 2003
70*

The review praises the film's technical mastery in rendering water and underwater visuals with extraordinary precision and detail. It criticises the narrative as fractionally less rich and more conventional than prior Pixar efforts, lacking their subtlety.

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The New York Times
30 May 2003 · NYT Critic’s Pick · Stephen Holden
70*

The review calls the film an upbeat, sentimental fable about a fearful father and rebellious son, highlighting its sparkling aquatic animation and comically inspired characters like the great white shark Bruce. It praises the witty script and the way it balances adventure with family themes.

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The Times
2 June 2003 · Sean Macaulay
70*

The critic praises the film's visual feast and witty family animation from Pixar, highlighting its accessibility for children and the standout shark characters. However, the plot's fractured family setup and pat life lessons are seen as calculated.

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Time Out
23 January 2013 · Tom Huddleston
70*

Praises the film for proving how far audiences would trust Pixar's output without familiar elements or big stars, becoming a banner title with thrilling big scenes. Notes it is not quite as note-perfect as later work, with a grating lead voice and soppy ending.

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Variety
26 May 2003 · Todd McCarthy
70*

The review calls it a buoyant adventure with spectacular underwater visuals and cheeky comic flair that will be a box office hit, though it doesn't quite match the artistic heights of prior Pixar films like Toy Story.

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Slant Magazine
18 May 2003
50*

The review describes the film as transplanting suburban parental anxiety to an underwater setting in an adorable but less inventive way than prior Pixar efforts. It notes the simple lesson about trusting children to make mistakes and says it should resonate with overprotective parents.

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The New Yorker
2 June 2003 · Anthony Lane
50*

The critic finds the film visually impressive with its underwater animation and praises Ellen DeGeneres's voice work as Dory, but notes it leans too sentimental and anthropomorphic compared to previous Pixar efforts.

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HeyUGuys
8 February 2011 · Steven Neish
90*

The critic praises Finding Nemo as Pixar's greatest film overall, citing its layered narrative with multiple themes, memorable ensemble of characters, and perfect balance of humor appealing to all ages. They single out Ellen DeGeneres' voice performance as Dory for particular acclaim as the standout element.

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/Film
30 May 2018 · Josh Spiegel
80*

The critic examines Finding Nemo's focus on parental neuroses and the embrace of surrogate or patchwork families, positioning it as a key Pixar text on letting go and community. They single out the emotional dynamics involving Marlin, Nemo, and especially Dory for praise in delivering the film's core themes.

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Paste
5 June 2023 · Andy Crump
80*

The critic views the film as one of Pixar's best for its visual splendor and honest take on fatherly anxiety and parent-child bonds. The opening sequence stands out as uniquely effective disaster horror that resonates due to its relatable existential dread.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate