Critics’ reviews

Forrest Gump (1994)

19 reviews from 19 publications. Critics’ score 62: 9 positive, 3 mixed, 7 negative.

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62
Positive
9
Mixed
3
Negative
7

Most critics like Forrest Gump, though not by a wide margin, and almost all of them agree on what works. Tom Hanks’s performance is praised in nearly every review, positive and negative alike, for its warmth and its refusal to condescend to the character. The effects that place him in archive footage alongside real figures are the other constant, with several reviewers calling the technical work the film’s chief achievement and Zemeckis’s direction assured.

The reservations are about everything else. A large minority find the sentimentality cloying, the episodic structure loose and the politics complacent: a film that rewards its hero for knowing nothing and treats the counterculture as a cautionary tale. The spread is unusually wide, from full marks to outright dismissal. The Independent and The New Yorker are hostile from the start, and later pieces from IndieWire, Time Out and Den of Geek argue the film has aged badly.

RogerEbert.com
6 July 1994 · ★★★★/4 · Roger Ebert
100

The critic calls it a magical movie and a meditation on recent American history seen through the eyes of an honest, simple man. He singles out Tom Hanks' dignified, straight-ahead performance and the innovative use of special effects to place the character in real historical events.

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The Times
18 July 2024 · ★★★★★
100

The review describes the film as a consistently moving and visually spectacular sprawling picaresque that remains relevant, slickly self-aware, and the pinnacle achievement of its director despite some dated elements.

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The Hollywood Reporter
29 June 1994 · Duane Byrge
90*

The film is an uplifting saga and cheeky social satire that contrasts Forrest’s innocence with the upheavals of recent U.S. history. Hanks delivers an Oscar-level performance as the wise fool, and Zemeckis directs with graceful, technically eloquent maturity.

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Variety
11 July 1994 · Todd McCarthy
90*

A picaresque story of a simpleton’s charmed odyssey through American history that is whimsy with a strong cultural spine; elegantly made and winningly acted by Tom Hanks, technically dazzling, and shrewdly packaged to appeal to baby boomers with emotional and iconographic touchstones.

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Radio Times
★★★★ · Adrian Turner
80

A box-office blockbuster and Oscar winner that sees naive Gump drift through key American historical events and emerge triumphant, with Hanks delivering a remarkable performance and stunning special effects.

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The Guardian
6 October 1994 · Derek Malcolm
75*

The critic calls the film a brilliantly made technical tour de force that places its simple protagonist in the midst of recent American history like a modern Zelig. It is a triumph of style over content that goes on too long but appeals widely thanks to Hanks' sincere central performance.

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Empire
1 January 2000 · Angie Errigo
70*

The charmed life journey of an innocent through turbulent American history makes for an original and hugely appealing story with dazzling special effects. It singles out Tom Hanks' captivating, disarming performance as the standout element while noting the film is overlong and occasionally overly sentimental.

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Los Angeles Times
6 July 1994 · Kenneth Turan
70*

Turan calls the film sweet and eccentric with a gentle sensibility, highlighting Hanks' deadpan comic determination and the impressive special effects as its strongest elements. He notes it stumbles when forcing charm toward obvious sentimentality and broader societal points.

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The AV Club
18 November 2009 · B- · Noel Murray
70

The multi-Oscar winner has suffered strong backlash for emotional manipulation and its simplistic hero, yet Zemeckis' visual style, pacing, and lyrical moments using old-school techniques are praised. Hanks' performance as the limited simpleton and the character's conception are major flaws that make the film divisive.

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Slant Magazine
4 September 2014 · Rob Humanick
60*

The film mixes affecting sincerity with absurdity that invites ridicule, succeeding through Zemeckis's optimistic touch and Hanks's performance despite some problematic elements. It singles out the Jenny AIDS subplot as a calculated and despicable deviation that lands poorly.

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The New York Times
6 July 1994 · Janet Maslin
50*

Maslin praises the film's technical sleight-of-hand and seamless special effects integrating Hanks into historical footage, along with Hanks' warm, uncondescending performance. She criticizes the loose, vignette-like structure and overreliance on saccharine sentimentality that undermines dramatic coherence.

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IndieWire
4 July 2019
30*

The film is a slick celebration of the human spirit that exploits American history as empty signifiers for technological effects and preaches conservatism by having its naive hero emerge unscathed from tumultuous events. It is viewed as a bad movie that gets worse with age and scarier than its reputation suggests.

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The Independent
8 October 1994 · Quentin Curtis
30*

The critic views the film as passive and simple-minded like its hero, acting as a narcotic security blanket that anaesthetises America from real engagement with history. It praises Tom Hanks' skill and charm in the role but faults the sentimentality, episodic structure, and overall lack of depth or ideas as a new low in American filmmaking.

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The New Yorker
18 July 1994 · Anthony Lane
30*

The film is insistently heartwarming to the point of chilling the marrow, with no moral doubt or unease, pushing the myth that one can know and do better by being dumb. The seamless visual effects inserting Gump into historical footage are praised as snappy, though sound dubbing and dramatic purpose receive criticism.

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Time Out
10 September 2012 · TCh
30*

The film is a reactionary work that contrasts Gump's charmed life with Jenny's counterculture missteps, ultimately promoting ignorance as bliss beneath its feel-good surface. Hanks's performance is noted but the overall tone is mawkish and conservative.

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The Ringer
25 July 2019
60*

Forrest Gump swept the Oscars as an ambitious American picaresque visualizing 20th-century upheavals through an innocent's eyes, achieving critical and commercial dominance. It defeated Pulp Fiction at the Oscars but the latter has aged better in cultural impact.

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Collider
1 July 2019 · Matt Goldberg
40*

The film is a surprisingly cold-hearted and nihilistic movie that renders important historical events into kitsch through Forrest's simplistic lens. Zemeckis's direction and Hanks's performance provide crowd-pleasing sheen and charm despite the problematic approach.

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Den of Geek
21 May 2022 · David Crow
40*

The film is a quintessential Baby Boomer artifact whose rose-tinted view of American history feels increasingly threadbare and grating on rewatch. It singles out the trivialization of racial tensions and the simplistic portrayal of counterculture versus mainstream values for criticism.

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Eye for Film
14 November 2001 · Angus Wolfe Murray
40*

The critic describes Forrest Gump as a sentimental fable that covers American history through the eyes of a simple-minded everyman but questions its simplistic, overly wholesome approach to mental disability and emotional manipulation.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate