Almost every critic writing about Hoop Dreams reaches the same conclusion: the film’s real interest lies away from the court. The reviews praise the patience of the filmmakers, who follow two Chicago teenagers and their families for more than four years, and the way ordinary scenes of school grades, injuries and money worries build into a portrait of poverty and opportunity in America. Several find it says more about class than most sociology, and more than the fiction films made about the same sport.
The reservations are few and small. A handful of critics mention the near three-hour running time, though most decide it earns its length. The one real dissent comes from Sight and Sound, where bell hooks finds the film moving as drama but argues it is not a great documentary, objecting to a white filmmaker’s view of black life and an uncritical faith in competition and the American dream. Nobody else follows her; the spread is narrow.
