Critics’ reviews

Michael Collins (1996)

12 reviews from 12 publications. Critics’ score 67: 8 positive, 3 mixed, 1 negative.

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67
Positive
8
Mixed
3
Negative
1

Most critics come down in favour, and the praise gathers around Neil Jordan’s handling of the story as a thriller: the reviews keep returning to its pace, its scale and the momentum of its set pieces, with several noting the cross-cutting and the atmospheric camerawork and design. Liam Neeson’s Collins is the other point of agreement, described as vital, magnetic and blood-curdling by turns, and a number regard this as Jordan’s most ambitious film to that point.

The reservations are almost all about history. A recurring complaint is that Collins is painted as a saint and Éamon de Valera as a villain, with The Guardian objecting to specific liberties, including an exaggerated massacre. Roger Ebert finds the Julia Roberts romance unnecessary. Empire is alone in thinking Neeson lacks charisma, and The Independent reserves its warmest words for Alan Rickman. The spread is wide, running from outright enthusiasm to The New York Times, which calls the film sugarcoated and sloganeering.

Los Angeles Times
11 October 1996 · Kenneth Turan
90*

The film is a rare epic true story transferred to screen with matching intelligence, skill and elan; it is an extremely cinematic, beautifully made David Lean-type epic with a vital, confidence-filled performance by Neeson that captures Collins perfectly.

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Time Out
· GA
90*

Jordan's most ambitious and satisfying film to date, a dense and stirring thriller tracing Collins's career with real scale, pace, menace and moral import. Exceptional performances (aside from one mannered turn) and atmospheric camerawork and design evoke a country in turmoil.

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The AV Club
29 March 2002 · John Krewson
80*

Neil Jordan's film is an extraordinary epic that succeeds as both cinema and history. Liam Neeson's performance as the title character stands out as stirring and blood-curdling.

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Empire
1 January 2000 · Ian Nathan
70*

The critic praises Jordan's intelligent, passionate direction and the film's momentum as a thriller about the Irish revolutionary, while noting it stumbles due to Neeson's lack of charisma in the lead role. It highlights strong supporting performances and moments of directorial mastery in cross-cutting.

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RogerEbert.com
25 October 1996 · Roger Ebert
70*

The critic praises the film as a strong portrayal of the Irish revolutionary as a clear-sighted folk hero who used innovative guerrilla tactics and sought pragmatic peace, crediting Liam Neeson's performance. It criticizes the unnecessary romantic subplot with Julia Roberts' character and questions the film's depiction of Eamon de Valera as overly villainous.

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The New Yorker
7 October 1996 · Anthony Lane
70*

Jordan has made a thriller that is astonishingly untalkative and blarney-free, depending on episodes to excite rather than persuade; it is a strong advance on his previous work, with fine cinematography, though it encourages the audience to like Collins too much and has some sketchiness.

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The Times
4 March 2016 · ★★★★☆ · Kate Muir
70*

The critic praises Liam Neeson as superb in the lead role and notes the film's heart and dramatic energy despite some historical deviations and period scenery.

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The Independent
10 November 1996
60*

The critic views the film as a well-mounted but overly schematic and romanticized biopic that portrays Collins as a plaster saint while demonizing the British. It singles out Alan Rickman's complex, menacing performance as de Valera for particular praise.

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The Guardian
9 December 2010 · B (entertainment)
50*

The critic finds the film watchable and mostly well-judged on a worthy subject but undermined by careless liberties with the facts, including exaggerating a massacre and implying de Valera's involvement in Collins's assassination.

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Variety
3 September 1996 · festival review · Todd McCarthy
50*

The film is intelligent, enormously accomplished and seriously problematic, with tremendous action, incident and momentum that comes off like political history as gangster film; it has strong efforts from all hands but does not quite pay off dramatically.

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The New York Times
11 October 1996 · Janet Maslin
30*

The critic notes the uphill battle Jordan faces in selling the little-known subject and criticizes the film's sugarcoating and sloganeering, but praises its passionate enthusiasm for the material and Neeson's magnetic, blustery performance as Collins.

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Paste
25 October 2021 · Ciara Moloney
75*

The critic positions the film as a major but underappreciated work outside Ireland that nonetheless became a cultural cornerstone there upon release. They single out its big-studio Hollywood sheen and star power as elements that make it a compelling, if flawed, biopic worth revisiting on its own terms.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate