The consensus leans favourable, with Robin Williams receiving the most consistent praise, even from critics who find the film thin. The reviews single out his mimicry, improvisation and comic detail as the disguised father, while warmer assessments credit him with conveying the pain behind the farce. Radio Times also praises Chris Columbus for keeping Williams’ exuberance under control and making the comic set pieces work. For the film’s admirers, that combination makes accessible family comedy out of a painful separation.
The disagreement concerns how much the performance compensates for the writing. Reservations cluster around sentimentality, sluggish pacing and a sitcom approach that gives the premise too little depth. Some critics accept those weaknesses as the price of the laughs; others find the entertainment too safe. RogerEbert.com offers a distinctly negative assessment, arguing that the film drags and falls short of its premise, with an unfavourable comparison to Tootsie.
