The reviews lean mildly positive but split almost evenly across the scale, and the praise clusters in one place: Alan Ritchson. Most critics find him the reason to stay, and several note his chemistry with Owen Wilson, though HeyUGuys thinks Wilson is underused. The action earns credit too, particularly the car stunts and a few forcefully staged set pieces, and more than one reviewer enjoys the human-organ MacGuffin and the pace.
The reservations gather around the script and the tone. Thin plotting, underdeveloped characters and an ending Radio Times calls a cheat come up repeatedly, and several critics find the gore sits awkwardly beside the comedy and the reaches for sentiment. The spread is wide: The Wrap credits director Scott Waugh with balancing all three, while RogerEbert.com finds the film abrasive, illogical and no fun at all. The Telegraph goes further on pacing, with a middle act that dawdles and a hospital climax that exhausts.
