The consensus is strongly favourable, with praise centred on Jonathan Demme’s controlled direction and the psychological exchanges between Anthony Hopkins’s Lecter and Jodie Foster’s Clarice. Most critics find the suspense effective because Demme avoids cheap shocks and shows restraint with violence. Hopkins receives particular attention for making Lecter unnerving, while Foster’s performance gives the encounters emotional weight. Several reviews also value the gothic atmosphere and the attention to Clarice’s inner life.
The differences are chiefly matters of emphasis rather than outright dissent, and the scored reviews occupy a narrow, positive range. The Hollywood Reporter finds that the Buffalo Bill storyline is somewhat overshadowed by Clarice and Lecter, whereas Time Out singles out Levine’s performance for particular praise. The New Yorker expresses a broader reservation: the filmmaking is intelligent and careful, but the sensational material makes its response harder to settle. Elsewhere, that restraint is precisely what critics admire.
