Critics’ reviews

This Is Spinal Tap (1984)

14 reviews from 14 publications. Critics’ score 91: 14 positive, 0 mixed, 0 negative.

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91
Positive
14
Mixed
0
Negative
0

The reviews are unanimous, which is rare. Every critic we have read counts the film a success, and most of them count it among the most durable comedies of its decade. The praise clusters around the mock-documentary form, which several reviewers credit with starting a genre, and around the largely improvised dialogue and the band’s own songs. Nearly everyone notes that the joke is affectionate rather than cruel: the band are fragile and deluded, and the film likes them anyway. The Stonehenge number and the lyrics come up repeatedly.

The spread is narrow. Nothing sits below the positive line, and the differences are of degree. The nearest thing to a reservation is Variety’s early notice, which treats it as a satire pitched chiefly at music-business insiders. Sight and Sound is unusual in dwelling on the American cast’s handling of British accents and pub-musician manners. Several later reviews are of re-releases, and all of them say it has not dated.

Radio Times
★★★★★ · Alan Jones
100

The critic describes it as a brilliantly crafted and completely on-target satire of the rock industry filmed in mock-documentary style. The Stonehenge production number and crass song lyrics are highlighted as standout elements.

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RogerEbert.com
21 January 2001 · ★★★★/4 · Roger Ebert
100

The critic hails the film as one of the funniest ever made, praising its affectionate portrayal of the band's fragile egos and the way it captures the gap between their delusions and reality through subtle, improvised details.

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Time Out
20 September 2024 · ★★★★★ · Tom Huddleston
100

The review calls the film comedy gold and entirely unimprovable, noting its status as the best comedy movie of all time in a Time Out poll. It singles out the largely improvised dialogue and the band’s original songs for praise.

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Empire
1 January 2000 · Kim Newman
95*

The critic hails it as the greatest laugh-out-loud comedy of the 1980s and an influential, cinematically innovative mockumentary that created a new genre while delivering both broad gags and genuine emotional stakes around the band’s internal conflicts. The film’s seamless parody of rock excess and self-delusion is singled out.

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Los Angeles Times
8 September 2000 · Kenneth Turan
90*

The critic finds the re-release as entertaining and sharp as the original, praising its pioneering mockumentary style and the timeless humor in the band's scenarios and dialogue.

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Sight and Sound
· Kim Newman
90*

The critic finds the mockumentary consistently convincing and generally hilarious, praising the American cast’s precise handling of British accents, slang and pub-musician mannerisms. The group’s squabbles and managers’ arguments are singled out as especially well done.

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Slant Magazine
15 September 2025 · Jake Cole
90*

The critic praises the film's enduring cult status as an instant classic and its laser-precise skewering of 1980s heavy metal excess and touring woes. They single out the Criterion 4K transfer and comprehensive extras for making the mockumentary's humor and cultural impact even more accessible.

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The Guardian
21 August 2025
90*

The critic praises the film as a groundbreaking and still-joyful classic mockumentary whose gags and improvisational style have aged brilliantly. They single out its shrewd satire of rock masculinity and the music business for particular praise.

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The New York Times
2 March 1984 · Critic’s Pick · Janet Maslin
90*

The critic finds the mockumentary a witty, mischievous satire and labor of love that is affectionate rather than mean-spirited. It stays so close to its subject that it is nearly indistinguishable from the real thing.

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The Times
12 October 2000 · Tom Cox
90*

The critic celebrates the film's cult status and flawless parody of every rock band cliché across its career arc. The re-release and DVD extras make its catchphrases and relevance even more ingrained.

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Evening Standard
10 April 2012
85*

The critic calls the film a deserved cult hit whose unsparing, accurate dissection of the rock business and the culture-clash comedy of British musicians adrift in America remains unsurpassed. Plausible tour catastrophes and authentic details are singled out for praise in this re-release review.

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Variety
31 December 1983 · Variety Staff
80*

The film is a vastly amusing satire of heavy metal bands for music biz insiders. Reiner and cowriters have fun creating mock footage and filling the fringes with hilariously authentic music-biz types.

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Eye for Film
6 December 2008 · Jennie Kermode
95*

The critic calls it a masterpiece of observational comedy that stands out for its deep affection for heavy metal and its subjects. She highlights the endearing band characters, quotable lines, clever editing, and rewatch value.

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Consequence
2 March 2019
85*

The critic praises the mockumentary for hilariously exposing truths about the music industry and rock biopics that no serious film matches. It singles out the film's timeless satire and relevance, especially against modern biopics like Bohemian Rhapsody.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate