The reviews are almost unanimous. Fifteen of sixteen critics are positive, and the praise clusters on the same thing: Kevin Macdonald’s mix of interviews with the real climbers and reconstructions shot on location, which most critics find makes an already known story tense and physically convincing. Several single out the climbing sequences, the camerawork on the mountain and the sound design, and note that the plain, unadorned telling makes the ordeal harder to watch rather than easier.
The reservations are mild and scattered. A few critics find the opening slow, and some feel the film shows little interest in what happened after the climb, preferring existential questions to the public argument. The one dissent is The New York Times, which finds the film disappointing, a psychological encounter session rather than the spiritual quest it might have been, never delivering the transcendence it promises. Otherwise the spread is narrow, from warm to admiring, with the American press a little cooler than the British.
