Most critics lean positive. The praise gathers around the ensemble and the writing of the young traders: several reviews find the characters complex and the series compelling even when the people in it are hard to like. Its handling of office politics and the power games of a London trading floor draws the most consistent approval, and more than one critic reaches for Skins as a comparison for its mix of work pressure and after-hours excess.
The reservations are about familiarity and pace. The AV Club and Vulture both find the show borrowing from other workplace dramas, and Vulture thinks Harper too reserved a lead to carry it. The Ringer finds the interpersonal drama crowds out the sharper social critique. The one outright dissent is IndieWire, which finds the series dull and slow to pay off, even with Lena Dunham directing. The spread is wide, though most reviews sit in the middle or above.
