Lucky (2026)

The critic finds the Apple TV limited series a captivating story of a young woman's attempt to escape her criminal past. They single out the high-voltage thriller elements and Anya Taylor-Joy's performance as a con artist on the run.

Anya Taylor-Joy delivers a committed lead performance in this repetitive crime thriller about a scam artist on the run. The premiere's action sequences stand out, but the show struggles with shallow storytelling and over-reliance on exposition.

The critic praises Anya Taylor-Joy as audacious and undeniably cool in this Apple TV crime thriller about a betrayed conwoman on the run after a heist. They single out the cat-and-mouse thrills, explosive set-pieces, and her competent, morally ambiguous antiheroine for praise while noting plausibility takes a back seat to excitement.

The series features strong performances but ultimately feels more surface-level than substantive. It follows a con artist navigating betrayals and pursuits but lacks deeper character exploration beyond its propulsive plot.

The critic concludes that the series never clicks despite a strong cast. They single out the entertaining action sequences and Taylor-Joy's ability to inhabit multiple personae, while noting weaknesses in lighter elements and overall cohesion.

The critic calls the Apple TV series a creaky, cliché-ridden Tarantino knock-off that under-serves its lead and feels assembled from better shows and films. They single out the formulaic heist caper plot and generic crime setting for complaint, though one supporting performance stands out for having fun with the material.

The series is a tepid, surface-level crime drama that overloads momentum at the expense of character depth and nuance. It fails to deliver on its promising cast and premise, coming across as an overly stretched book adaptation.

The critic finds the seven-part thriller instantly gripping with twists and fun, praising Taylor-Joy's riveting lead performance as a savvy opportunist and the compelling portrayals of the pursuing FBI agent and mob matriarch. Some clichés in flashbacks and convoluted syndicate details are noted, but the constant threat and smart narrative make it work overall.

The critic notes that while the concept is a winner, the series is built on a shaky foundation and throws everything at the wall without knowing where to hit hardest. It lacks the witty humor and charisma of typical heist stories, resulting in a lackluster show that misses its full potential despite some strong performances.