The reviews are unanimously positive, and unusually so: none of the thirteen lands as mixed. Most critics start with the premise, a surgical split between work and home memories, and find it an unsettling and workable engine for both office satire and conspiracy thriller. The praise then settles on Ben Stiller’s direction, credited with the sinister calm of the Lumon offices and the retro-futurist production design, and on the cast. Adam Scott’s dual performance is mentioned most often, with Patricia Arquette close behind.
The reservations are small and consistent. Several critics, among them The Telegraph and Radio Times, find the early episodes slow to hand over the central mystery, though all agree the back half repays the patience. Paste is the most grudging, finding the series frustrating in places and objecting to a season that ends on a cliffhanger, a complaint /Film shares in milder form. The spread is narrow, from four stars to full marks, with NME and Collider the most enthusiastic.
