Most critics like it, and they like it for the same things. The reviews return again and again to the young cast, and to Millie Bobby Brown as Eleven above all, whom several critics credit with carrying the emotional weight of the series. David Harbour’s Hopper and Winona Ryder’s frightened mother are singled out too. Nearly every review notes the debt to Spielberg, Carpenter and Stephen King, and most find the homage affectionate and well made rather than lazy, with the synth score, the small-town setting and the slow reveal of the monster praised for building real tension.
The reservations cluster around that same nostalgia. Several critics find the story predictable and the references overused, and IndieWire goes furthest, arguing the series borrows so heavily from the Eighties that it never quite develops ideas of its own. The AV Club adds that the female characters are thinner than the boys. The spread is narrow: twelve positive notices, one mixed, none negative.
