With only 5 reviews in so far, the consensus leans positive, with praise clustering around Gallo’s rough originality, the mixture of grimness and tenderness, and Ricci’s performance. Critics find personal feeling beneath the eccentric storytelling, though they differ on how much the visual flourishes contribute. Reservations centre on Gallo’s self-indulgence and the credibility of the romance. The Guardian praises the chemistry between Gallo and Ricci; The AV Club finds the relationship contrived and the characters closer to caricatures. The divide is chiefly over whether the emotional connection survives the stylistic display.
The critic calls it an alarmingly good writer-directorial debut that is disarmingly charming, perceptive, very funny and hugely original, even making the bungled-kidnap plot work. They single out the superb set-pieces and the chemistry between Gallo and Ricci for particular praise.
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