Critics’ reviews

East Is East (1999)

11 reviews from 11 publications. Critics’ score 67: 5 positive, 1 mixed, 1 negative.

Back to our review of East Is East

67
Positive
5
Mixed
1
Negative
1

Most critics respond warmly to East Is East, praising its sharp family comedy and its treatment of cultural identity in 1970s Britain. The performances draw the strongest agreement, with Om Puri and Linda Bassett repeatedly singled out for giving the family’s arguments warmth and complexity. The favourable reviews also value the profane, slangy dialogue and characters who feel like people rather than representatives of opposing cultures.

The disagreement centres on how well the comedy accommodates domestic violence and other serious family conflicts, with responses ranging from enthusiastic to firmly negative. Even some favourable reviews find the humour broad or the theatrical roots visible. IndieWire finds the treatment sweet but shallow, while The AV Club argues that the film softens its conflicts into bland reassurance and cannot adequately handle abuse. For these dissenters, the accessible comedy that others enjoy limits how deeply the film can examine its subject.

Radio Times
★★★★ · Lorien Haynes
80

The critic says this accessible 1970s culture-clash comedy breaks the mould of more serious British Asian films by being funny, charming and refreshing without taking itself too seriously. Family wrangling over arranged marriages drives an engaging story with strong turns from Om Puri and others.

Read the full review →
Sight and Sound
1 November 1999 · Liese Spencer
80*

The critic calls it a funny, feelgood crowd-pleaser that tackles Anglo-Asian culture clash with good-natured gusto and avoids issue-drama pitfalls. She singles out the real, nuanced characters created through slangy dialogue and strong performances, especially from Linda Bassett and Om Puri.

Read the full review →
Empire
1 January 2000 · Simon Braund
75*

The critic praises the strong ensemble performances, especially Om Puri as the patriarchal George Khan, and the film's focused exploration of cultural identity in a mixed-race family. Some scenes of domestic violence clash with the comic tone and the material's theatrical roots are evident, but overall it is described as funny, astute and quietly moving.

Read the full review →
Time Out
· GA
70*

The review finds it a very decent debut full of neat insights into 1970s Britain and engagingly profane dialogue. It praises the strong central performance from Om Puri while noting the humour is broader than in similar films.

Read the full review →
IndieWire
14 April 2000
45*

The film is sweet but shallow in its treatment of cultural clashes and family dynamics. It fails to delve deeply despite its promising setup.

Read the full review →
The AV Club
29 March 2002 · Scott Tobias
40*

The film splits the difference between clashing cultural and tonal elements, smoothing them into a bland, feel-good center. It confronts serious issues of abuse but is not equipped to handle them, preferring cutesy comedy over potency.

Read the full review →
Los Angeles Times
14 April 2000 · Kevin Thomas

The affectionate comedy traces culture clash in a mixed Pakistani-English family as the father arranges marriages for his sons. It praises the seamless cinematic adaptation of the play and the nuanced performances that balance humor with emotional depth.

Read the full review →
RogerEbert.com
21 April 2000 · Roger Ebert

The film portrays a Pakistani immigrant father struggling to impose traditional values on his British-born children in 1971 Manchester. It highlights the rich humor in family conflicts and strong performances, especially by Om Puri and Linda Bassett.

Read the full review →
The Guardian
17 May 1999 · festival review · Derek Malcolm

The critic praises the rip-roaring yet carefully structured adaptation of the play, noting its humor without condescension, warmth without sentimentality, and strong characterizations led by Om Puri and Linda Bassett.

Read the full review →
Variety
20 May 1999 · festival review · Derek Elley

A sprightly, warm and funny ensemble comedy about a traditional Pakistani father losing control over his family in 1970s northern England. It singles out the lively direction, sharp dialogue and big-hearted approach to characters for praise.

Read the full review →
Eye for Film
19 January 2001 · Angus Wolfe Murray
80*

The critic praises the sharp comedy and excellent acting in this portrayal of a multiracial family in 1970s Britain. The film effectively captures the cultural clash between a strict Pakistani father and his English-raised children.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate