The reviews are uniformly favourable, and they agree on the shape of the achievement: this is Ken Loach working on a larger canvas than usual, taking his plain, documentary-style method into the trenches of the Spanish Civil War without losing it. Most critics praise the performances, with Time Out singling out Ian Hart, and the action scenes, which are described as raw and intense rather than staged. Several find it moving, and the political arguments are thought lucidly handled.
The reservations are all about talk. Several reviews note that the militia debates run long, and the harsher ones call them didactic or pedantic. The New Yorker also finds the personal relationships handled awkwardly, and The Independent thinks the framing device with the granddaughter condescends to the audience. The spread is narrow, from warm to cautiously admiring, and nobody dissents from the view that the film is worth an evening.
