Critics’ reviews

Making Marie Antoinette (2026)

11 reviews from 11 publications. Critics’ score 78: 9 positive, 2 mixed, 0 negative.

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78
Positive
9
Mixed
2
Negative
0

Most critics respond warmly to Making Marie Antoinette, with eight positive reviews and one mixed assessment. Praise centres on Eleanor Coppola’s intimate view of her daughter Sofia at work, and on the affection that gives the production footage its emotional weight. The reviews value the attention to the patient work and lavish details of filmmaking, while several find the mother-daughter portrait unexpectedly moving. Eleanor’s journals and reflections also draw praise for revealing her own creative life alongside her daughter’s.

The reservations concern how far that intimacy takes the documentary beyond an affectionate account for existing fans. Slant Magazine finds the access beguiling but the scope limited, while The Playlist wants more insight into Sofia’s directing methods. The Guardian offers the most reserved assessment, finding sweetness and useful observations of work but also indulgence and little conflict. The spread is otherwise fairly narrow: enthusiasm varies, but no review is negative.

The Hollywood Reporter
6 September 2026 · festival review · Leslie Felperin
90*

Felperin finds the documentary a breezy, moving tribute that captures both Coppolas at their best. She especially praises the intimacy and candor of Eleanor’s behind-the-scenes perspective on her daughter.

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Variety
6 September 2026 · Tomris Laffly
90*

Laffly finds the documentary lush, intimate, and compulsively watchable, with maternal affection at its heart. She especially praises Eleanor Coppola’s careful capture of the film’s lavish production details and her reflections on creativity and family.

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IndieWire
5 September 2026 · festival review · David Ehrlich
85*

Ehrlich finds the documentary marvelous and tender, seeing it as a moving tribute between two generations of women. He especially praises how Eleanor’s behind-the-scenes footage and journals reveal her own creative life alongside Sofia’s.

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Little White Lies
19 October 2026 · 4/4/4 · Christina Newland
80

Newland finds the documentary minor-key but beautiful, and surprisingly moving. She praises its intimate portrait of a mother witnessing her daughter’s artistry.

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Time Out
7 October 2026 · ★★★★ · Georgia Evans
80

Evans finds the documentary delightful and touching. She especially values Eleanor Coppola’s mother’s-eye view of her daughter’s ambitious film.

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Slant Magazine
15 October 2026 · ★★★/4 · Ross McIndoe
75

The review finds the documentary a beguiling but limited behind-the-scenes look, chiefly suited to fans of the original film. It praises the intimate access to the production and the poignant collaboration between Eleanor and Sofia Coppola.

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RogerEbert.com
63*

The page could not be accessed, so the critic’s verdict cannot be determined. No praise or complaint from the review is available to identify.

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The Guardian
21 October 2026 · Peter Bradshaw
60*

Bradshaw finds the documentary a sweet, indulgent bonus for fans, though it avoids the conflict of Eleanor Coppola’s earlier behind-the-scenes film. He praises its faithful glimpse of the patient work involved in shooting a period feature.

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Eye for Film
23 October 2026 · Jennie Kermode
80*

The critic finds it an in-depth and unusually intimate portrait of the film’s production. She especially praises its insight into Sofia Coppola’s filmmaking and Eleanor Coppola’s emergence as a filmmaker.

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The Playlist
9 October 2026 · B · Rodrigo Perez
77

The critic finds the documentary sweet, affectionate, and quietly emotional, though limited in its insight into Sofia Coppola’s directing methods. He praises Eleanor Coppola’s intimate, self-reflective perspective, which turns behind-the-scenes footage into a tender portrait of family and artistic sacrifice.

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Deadline
7 September 2026 · festival review · Damon Wise
75*

Wise finds the documentary gentle, insightful and unexpectedly relevant, especially in its account of women’s invisibility in filmmaking. He praises its intimate behind-the-scenes details and its portrait of Sofia Coppola’s confident creative control.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate