Most critics respond positively to Man Bites Dog, with praise clustering around its mock-documentary style, black humour and examination of violence filmed as entertainment. The reviews find the combination of comedy and horror disturbing, particularly when laughter gives way to discomfort. Its scrutiny of filmmakers’ and audiences’ fascination with violence is the main point of agreement: the documentary format makes watching part of what the film asks critics to question.
The reservations concern how far that approach sustains itself through the graphic violence. The New York Times offers the most mixed assessment, treating the film as a grisly joke whose humour can just as readily appal. Empire argues that the critique of media complicity gives way to shocking set pieces. The AV Club remains appreciative of that critique but finds some shocks less effective with age. The spread is largely between qualified approval and stronger admiration.