Critics’ reviews

Monty Python and the Holy Grail (1975)

14 reviews from 14 publications. Critics’ score 80: 12 positive, 2 mixed, 0 negative.

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80
Positive
12
Mixed
2
Negative
0

Most critics like it a great deal: twelve of the fourteen reviews are positive and none is negative. The praise gathers around the set pieces, with the coconut shells standing in for horses, the Knights Who Say Ni, the French taunters and the killer rabbit named again and again. Critics admire how thoroughly the film sends up Arthurian legend, chivalry and costume pictures, and several single out Gilliam’s animations and Graham Chapman’s earnest, put-upon Arthur.

The reservations are about shape. Several reviews call it a string of sketches rather than a story, and the ending divides opinion: Radio Times finds it a let-down and Paste thinks the nonsense thins out late, while Consequence thinks it lands well. The two mixed notices, from Variety and the Los Angeles Times, find it more amusing than hilarious, with talky patches and fight scenes some will find gruesome. The Times and the Los Angeles Times both think Life of Brian is the funnier film.

Time Out
12 October 2015 · ★★★★★ · Tom Huddleston
100

One of the most original, hilarious and visually striking comedies ever made. Its unnecessary gorgeousness and goofy, slapstick laughs stand out.

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Slant Magazine
1 December 2006 · Arthur Ryel-Lindsey
90*

The critic praises the film's brilliant satire of medieval legends and lifestyles combined with strong comic timing and irreverent humor. They highlight its youthful charm, energy, and the troupe's freedom in creating an accessible, singular work despite its amateurish production qualities.

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The New York Times
28 April 1975 · Vincent Canby
90*

The film is a marvelously lunatic endeavor that sends up the King Arthur legend, courtly love, bravery, costume movies and movie violence. It features nonstop gags, some inspired, with Graham Chapman as an earnest but doomed Arthur.

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Empire
1 January 2000 · Rob Fraser
85*

Feature films bring out the best in the Pythons, resulting in a focused comedy packed with killer lines, sight gags and absurdity that qualifies as a medieval-on-your-ass laff-riot. Highlights singled out include the homicidal bunny, the wedding guest massacre and the use of coconut shells for horses.

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The Guardian
15 October 2015 · Peter Bradshaw
85*

The critic praises the film's anarchic daring and subversive elements of anticlimax, noting its bridgehead into international stardom. Gilliam’s animations are singled out as timelessly brilliant.

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Radio Times
★★★★ · David Parkinson
80

A wonderfully inventive comedy that brilliantly debunks the Dark Ages and legends of chivalry. Highlights include the witch trial and Holy Hand Grenade sequence, though the ending disappoints.

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The Times
2 May 2025 · ★★★★☆ · Kevin Maher
70*

The film offers moments of brilliance in its loosely related set pieces and early religious irreverence, though the Pythons later peaked with Life of Brian. The Knights Who Say “Ni!” and Trojan Rabbit gags are highlighted as highlights.

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Los Angeles Times
15 June 2001 · Kevin Thomas
50*

The inspired lunacy of the Pythons' take on King Arthur is more often amusing than hilarious, with dry and talky passages. Its glorious Scottish locales and the troupe's erudition in medieval history stand out, though 'Life of Brian' remains funnier.

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Variety
31 December 1974 · Variety Staff
50*

The British comedy group sends up Arthurian legend in whimsical fashion, with Graham Chapman effective as King Arthur. The story is an excuse for set pieces, some amusing and others overdone, including gruesome fight scenes that will get laughs from some and make others squirm.

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Consequence
12 May 2015 · Blake Goble & Dominick Suzanne-Mayer
90*

The roundtable calls the film one of Python’s finest and most accessible works, praising its infinite quotability, meta silliness, and status as a foundational comedy that influenced later works while highlighting the perfect ending.

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Digital Spy
17 October 2015 · Stella Papamichael
90*

The film is a triumph of silliness over British pomposity and a comedy masterpiece. The critic singles out the coconut shells used in place of horses and the irreverent satire of religious fanaticism for praise.

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/Film
30 August 2023 · William Bibbiani
90*

The critic ranks Holy Grail as the troupe's best and most successful film, praising its intelligent, subversive deconstruction of Arthurian legends and British national identity alongside its clever cinematic gags and fourth-wall breaks. They highlight its enduring quotability and how it works wonderfully as a complete film.

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Eye for Film
14 March 2002 · Amber Wilkinson
75*

The critic finds the film a funny and surprisingly fresh silly romp through medieval legends, praising its loose sketch structure, standout hilarious scenes like the French knights and Knights who say 'Ni', and Gilliam's fabulously surreal animation.

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Paste
1 April 2025 · Sean Fennell
75*

The critic celebrates the film's enduring quotability and absurd humor as a shared cultural language passed between generations, while acknowledging that the nonsense thins out toward the end.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate