Critics’ reviews

Peter's Friends (1992)

8 reviews from 8 publications. Critics’ score 59: 5 positive, 1 mixed, 2 negative.

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59
Positive
5
Mixed
1
Negative
2

Most critics lean towards liking Peter’s Friends, though few claim much for it. The reviews agree it is a British cousin of The Big Chill, and most forgive the borrowing because the script is quick and the ensemble is good company. Praise gathers on the playing: Thompson and Staunton are named more than once, with Branagh, Fry and Rudner also singled out, and several reviewers say the film simply makes them laugh.

The reservations are about weight. Time Out finds the wit pitched at sitcom level; the Los Angeles Times calls it jokey and cloying even while enjoying it. The spread is wide. Variety thinks the plot is loaded with crises a character comedy cannot carry, and The New Yorker goes furthest, arguing the barbed one-liners and posh cleverness make it closer to a horror film than a comedy. Later British reviews are warmer than the American ones from its release.

Empire
1 January 2000 · Lloyd Bradley
75*

The film is a university comedy reunion that turns out better than expected, lifted by a sparky script, strong characterisation and enjoyable playing from the ensemble. It avoids smugness thanks to the writing and performances.

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Los Angeles Times
25 December 1992 · Peter Rainer
70*

Even with its jokey, cloying and derivative qualities as a British Big Chill, the film still makes you laugh a lot thanks to its spirited conviviality and theatrical flair, especially in scenes featuring Branagh, Rudner, Thompson and Fry.

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RogerEbert.com
25 December 1992 · Roger Ebert
70*

The critic enjoyed the witty dialogue, funny and sad characters, and bittersweet nostalgia of this reunion comedy, finding the group more likable and amusing than the one in The Big Chill.

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The New York Times
25 December 1992
70*

The film is a cheerfully derivative but lively comedy about old friends reuniting that borrows heavily from The Big Chill yet has some life of its own, remaining lightweight and enjoyable mainly for its arch, skillful actors delivering droll remarks.

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Time Out
4 October 2012 · BC
65*

The critic finds the witty script pitched at sitcom level but praises a couple of performances as terrifically good. It singles out Imelda Staunton's emotional depth and Emma Thompson's eccentricity while noting some flaws like an ineffective drunk scene, ultimately calling the film an amiable enterprise.

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Variety
11 September 1992 · festival review · Todd McCarthy
30*

This sometimes funny but often cloying entertainment about old friends experiencing crises over a weekend has glib humor and energy but loads the plot with complications unsuited to character comedy and cannot be taken as seriously as it wants.

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The New Yorker
8 February 1993 · Terrence Rafferty
20*

The critic views the film as a British knockoff of The Big Chill that plays more like a horror movie than a comedy-drama about reunited college friends. He singles out the characters' constant barbed one-liners and posh cleverness as the main source of discomfort.

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Den of Geek
14 March 2018 · Simon Brew
75*

The critic finds the film an underappreciated British ensemble comedy with strong performances and well-staged humour, despite some structural bumps and a theatrical feel. They praise its willingness to tackle darker themes amid the laughs and note its commercial success as a rare British hit in 1992.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate