Critics’ reviews

Ronin (1998)

11 reviews from 11 publications. Critics’ score 66: 7 positive, 1 mixed, 2 negative.

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66
Positive
7
Mixed
1
Negative
2

Most critics welcome Ronin as an old-fashioned thriller whose appeal rests on practical skill and a lack of fuss. Praise clusters around Frankenheimer’s direction and the car chases, which the reviews repeatedly describe as convincing, forceful and central to the film’s pleasure. The cast also earns approval for its professionalism and camaraderie, with De Niro and Reno helping to make the shifting loyalties engaging even when the plotting strains belief.

The spread is wide, however, and the main reservation is that the action has more substance than the characters. Several otherwise favourable reviews find limited depth, thin drama or a plot that does not quite sustain interest. Total Film admires the traditional action technique but finds the script too weak to support it. Time Out dissents more sharply, dismissing the performances and camerawork as well as finding that even the chases become tiresome.

Los Angeles Times
25 September 1998 · Kenneth Turan
85*

Turan called it an old-fashioned thriller efficiently brought up to date. He praised the tense, world-weary characters and the impressive realistic car chases.

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The New Yorker
28 September 1998 · Anthony Lane
80*

Lane found the film enjoyable overall, especially its multiple excellent car chases. He noted its democratic feel and Frankenheimer's return to form.

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RogerEbert.com
25 September 1998 · Roger Ebert
75*

Ebert enjoyed the film for its skill and its silliness. He praised the convincing cast and Frankenheimer's visual style while noting the action makes little sense.

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The Guardian
20 November 1998 · Xan Brooks
70*

The critic finds Ronin a straightforward, authentic thriller that plays its familiar elements with a straight face and no irony, emerging slightly better than the paired film Rounders. Frankenheimer's direction is praised for its dunder-headed authenticity and effective car chases.

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Variety
14 September 1998 · Todd McCarthy
70*

McCarthy viewed it as a pleasurable throwback to 1960s gritty international thrillers. He praised the potent action and shifting loyalties but noted the characters lack depth or resonance.

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Empire
1 January 2000
60*

The critic finds Frankenheimer's spy-heist thriller noticeably old-school and praises solid performances from De Niro and Reno along with the ace car chases, but notes the plot lacks enough dynamism to make it memorable.

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Total Film
20 November 1998
40*

The review calls the film a confusingly plotted post-Cold War thriller that offers a restrained antidote to flashier fare like Mission: Impossible, praising Frankenheimer's traditional action technique and car chases while complaining that the lack of real drama and weak script consign it to mediocrity.

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Time Out
5 January 2022 · GA
20*

The critic finds the film to be laughably hackneyed genre fluff with a rambling, uninvolving plot, paper-thin characters, clumsy dialogue and absurd pretensions. The car chases provide brief novelty before growing tiresome, alongside lazy performances and ugly camerawork.

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The New York Times
25 September 1998 · NYT Critic’s Pick · Janet Maslin

Maslin hailed it as a top-notch thriller propelled by gritty professionalism and breathtaking car chases. She praised the formidable cast's camaraderie and the director's conviction.

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Eye for Film
5 November 2004 · Gator MacReady
90*

The critic praises Frankenheimer's masterful direction and the film's gritty, intelligent action sequences, especially the car chases, as a return to classic 1970s style filmmaking that elevates it above modern Hollywood fare.

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Den of Geek
16 April 2018 · Robert Keeling
80*

The critic praises Ronin as an immaculately crafted and entertaining action thriller with masterful direction, strong cast, twisting plot, and authentic car chases that rank among the best. Minor faults noted include an out-of-place love story and sagging pace in the finale.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate