Critics’ reviews

Strictly Ballroom (1992)

14 reviews from 14 publications. Critics’ score 76: 13 positive, 0 mixed, 1 negative.

Back to our review of Strictly Ballroom

76
Positive
13
Mixed
0
Negative
1
Radio Times
★★★★★ · Alan Jones
100

Feel-good movies don't come any better than this exuberant Australian smash hit. It is kitsch and corny but a hilarious, heart-warming romantic comedy drama that is bright, breezy and strictly fabulous.

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The New Yorker
8 February 1993 · Anthony Lane
90*

The critic describes it as a tall tale of a young smoothy versus the old guard, a triumph of hope over repression with energetic, high-speed direction and charming performances that make the fairy-tale plot work despite its clichés.

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Time Out
10 September 2012 · GA
90*

Luhrmann's exhilarating debut is a hilarious satire of the ballroom world mixed with a contemporary fairytale romance. It transcends its familiar plot through inventive details, stylish technique, camp theatricality, and affection for its characters, dancing, and music.

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Variety
14 May 1992 · festival review · David Stratton
90*

The critic calls it a bright, breezy and immensely likable musical comedy and confident debut that is lively, original in an old-fashioned way and charming, with appealing love story and rich vein of humor.

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The AV Club
20 September 2013 · Nick Schager
80*

The review highlights how Luhrmann validates his flamboyant style in his debut by mirroring the protagonist's rebellious dance moves with outrageous cinematic choices. It singles out the film's affectionate tribute to narrative clichés and its delirious, convention-bucking finale.

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The Guardian
11 June 2026
80*

The critic calls Baz Luhrmann’s 1992 debut a goofy and lovable feelgood crowdpleaser that remains a dizzy swirl of fun, noting its influence on Strictly Come Dancing through its ugly-duckling romance and rehearsal-to-performance template. They highlight the passionate, rhythm-driven dance sequences and the joyful energy of the leads as standout elements.

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Empire
1 January 2000 · Mark Salisbury
70*

Baz Luhrmann's vibrant debut is an offbeat, hilarious fairy tale of a Cinderella story with Aussie soap brashness and charm; the director shows a light, irreverent touch and elicits strong performances from the cast. It may be fluff, but highly entertaining fluff.

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RogerEbert.com
26 February 1993 · Roger Ebert
70*

The critic praises the film's exuberance and the sense of madness in its portrayal of the competitive ballroom dancing world. He singles out the characters' insular obsession with dance and rules as a source of both comedy and insight into fear of change.

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The Independent
15 October 1992
70*

The critic finds Strictly Ballroom a cheerful, rowdy comedy that flaunts its clichés rather than lapsing into them, thanks to Luhrmann's manic technique and comic spirit. It has the engaging air of amateur dramatics and a romantic heart beneath the sequins.

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The New York Times
26 September 1992 · festival review · Janet Maslin
70*

The critic calls it pure corn overlaid with a buoyant veneer of spangles, marabou and tireless fun, praising the enjoyably hokey story told with flair and the plausible central love story between the leads.

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Slant Magazine
7 June 2013 · Chris Cabin
40*

The critic views the film as thematically shallow and self-serving in its portrayal of artistic rebellion against a rigged system, criticizing Luhrmann's cynical focus on victimhood and vanity even in this early work. The Blu-ray transfer and extras receive praise for strong visuals, audio, and relevant bonus features.

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Collider
8 October 2024 · Jeremy Urquhart
70*

The critic calls it a solid proof-of-concept for Luhrmann’s flashy, in-your-face style and a charming romantic comedy that impressively showcases his theatrical approach despite a smaller scale.

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Eye for Film
25 October 2001 · ***** · Angus Wolfe Murray
70*

The critic praises Luhrmann's exuberant mix of pastiche and satire that attacks snobbery in the ballroom world. Performances by Paul Mercurio and Tara Morice stand out for their conviction and skill.

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/Film
2 October 2023 · Mike Shutt
70*

The critic praises Luhrmann's debut for arriving fully formed, highlighting its rule-breaking spirit and thrilling dance sequences as a perfect introduction to his style. He notes it's not perfect but an impressive calling card.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate