Critics’ reviews

The Fugitive (1993)

9 reviews from 9 publications. Critics’ score 79: 7 positive, 1 mixed, 0 negative.

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79
Positive
7
Mixed
1
Negative
0

Most critics greet The Fugitive as an intelligent, tightly paced thriller, with praise clustering around Andrew Davis’s direction and the pairing of Harrison Ford and Tommy Lee Jones. The reviews credit Davis with sustaining suspense through large action sequences, particularly the train crash, without losing the wit or clarity of the chase. Ford’s performance earns broad approval, while Jones’s wisecracking marshal often attracts the stronger notices. Several critics also praise the screenplay’s economy and crisp dialogue.

The reservations concern formula and plausibility, though the spread runs from strong enthusiasm to one distinctly mixed assessment. Time Out finds the chase glossy and formulaic, while still admiring Jones and Ford’s handling of the physical demands. The Independent dissents more sharply, dismissing the story as silly and objecting to its treatment of the legal system. Even that review finds vitality in Jones, making his performance the clearest point of agreement across the divide.

RogerEbert.com
6 August 1993 · Roger Ebert
95*

Davis’ “The Fugitive” is one of the best entertainments of the year, a tense, taut and expert thriller that becomes an allegory about an innocent man in a world prepared to crush him. The critic singles out the virtuoso train crash sequence and the performances of Harrison Ford and Tommy Lee Jones for particular praise.

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Los Angeles Times
6 August 1993 · Kenneth Turan
90*

“The Fugitive” is a super-adrenalized stemwinder, a crisp and jolting melodrama that screws the tension so pitilessly tight. The critic singles out the intelligence, wit, and the duel between Harrison Ford and Tommy Lee Jones as a confrontation to remember.

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The New York Times
6 August 1993 · Janet Maslin
90*

The film version of “The Fugitive” turns out to be a smashing success, a juggernaut of an action-adventure saga. The critic singles out the direction by Andrew Davis and the performances by Harrison Ford and Tommy Lee Jones for sustaining crisp intelligence and a relentless pace.

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Empire
1 January 2000 · Angie Errigo
85*

The critic hails it as far and away the most exciting adventure thriller of the year, packed with high-speed action, crisp dialogue and strong performances from Harrison Ford and Tommy Lee Jones. Director Andrew Davis is praised for handling the clever screenplay with imagination and urgency.

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Radio Times
★★★★ · John Ferguson
80

The big-screen adaptation improves on the source material. Harrison Ford is solid as the wrongly convicted surgeon, but Tommy Lee Jones steals the film with his Oscar-winning turn as the pursuing marshal, while director Andrew Davis keeps the suspense high with memorable set pieces like the train crash.

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The New Yorker
9 August 1993 · Anthony Lane
75*

The review covers the 1993 film directed by Andrew Davis. The critic examines the thriller's chase dynamics and lead performances.

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Time Out
10 September 2012 · GA
70*

A glossy, formulaic chase movie relying on extravagant action sequences, most notably a massive train crash. Harrison Ford handles the physical demands well but is outshone by Tommy Lee Jones as the wisecracking marshal on his trail.

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The Independent
9 October 1993 · David Thomson
45*

The critic views the film as expensive nonsense and a silly piece of Hollywood entertainment that defames the legal system. He singles out Tommy Lee Jones' energetic, wisecracking performance as the film's main source of vitality and engine.

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The Hollywood Reporter
2 August 1993 · Duane Byrge

The critic praises the film as cinematic storytelling at its best with a propulsive mix of action, suspense and humor, highlighting the lean screenplay and strong performances by Harrison Ford and Tommy Lee Jones. The only minor reservation is about the credibility of the antagonist's actions.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate