The Verdict (1982)

Ebert praises the film as a strong character study of an alcoholic lawyer seeking redemption through a malpractice case, more than a standard thriller. He singles out Paul Newman's weary, authentic performance as the standout element that makes the story absorbing.

The film is one of the greatest courtroom dramas and the second greatest from Sidney Lumet after 12 Angry Men. It showcases Paul Newman's fearless performance as a boozing, self-hating lawyer given a shot at redemption in a medical malpractice case, supported by strong turns from James Mason and others.

Praises David Mamet's fast-paced, eloquent and suspenseful screenplay for turning a washed-up lawyer's malpractice case into a gripping underdog story. Notes that Lumet prioritises story over performance, resulting in near-invisible acting perfection and a strong indictment of the US legal system.

The critic calls the film a critical success thanks to Lumet's precise direction, David Mamet's hard-hitting screenplay, and especially Paul Newman's powerhouse performance as the washed-up lawyer, which elevates it close to the level of 12 Angry Men. Notes regret that Newman missed out on the Oscar for the role.

The critic recommends the film as a strong Best Picture nominee overlooked in favor of Gandhi, praising its restrained courtroom drama and redemptive arc. Lumet’s somber direction and muted visual palette stand out as particularly effective in balancing Mamet’s dialogue with a moody, observant tone.

The critic highlights the dark twist given to the standard courtroom drama by David Mamet's screenplay. It leaves the sense that justice can prevail, but when it does, it is too little, too late, and cannot compensate for the harm already done.

The review finds the film effective in its somber melodrama about a lawyer's self-redemption but criticizes it for being dragged out self-importantly with a hushed, inflated atmosphere. It singles out the long suspense leading to the surprise witness as a key element that tests audience patience.

The review notes many fine performances and sensitive moral issues but finds the film not compelling enough overall. It singles out David Mamet's script as offering little out of the ordinary while praising Paul Newman's realistic portrayal and solid support from Jack Warden and James Mason.

The critic praises The Verdict as the greatest courtroom drama of the 1980s and a showcase for Paul Newman's talents, highlighting its examination of a lawyer's redemption and fight for justice against a powerful institution. They single out Newman's performance as one of his greatest achievements.

The review calls the film a moody and intense courtroom drama that remains one of Lumet’s jewels despite some hackneyed elements and dated aspects today. It singles out David Mamet’s powerful script and Paul Newman’s solid performance for praise.